The 1999 Addition to the Marmalade Boy Guide

KD's Corner

The Marmalade Boy Guide

Interviews 2

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Hiromi Seki

(A translated composite of an interview with the Marmalade Boy producer. She's been in the business since 1985)

"Marmalade Boy is a love textbook"

The theme was too express high school student love. Love that's forever, to just express love.(she smiles and laughs). There isn't any other object! I can say that clearly because it's that simple.

There neither magic nor transformation. There's love only. It's all about love. This is a textbook of love for girls watching this show. I'd like to say that several years past, that they'll remember the Marmalade Boy scenes during that time of their lives. I'm making the story so that the story will become a guide for love.

 

"When I have a rough time naming the episode titles, then I go to a Karaoke Box"

Because of a newpaper TV schedule page, we could only use 5 letters to name them. 5 letters can make for an unclear titles so it's difficult to describe the story. That's why used lines from the story. I often go to a Karaoke Box when I need to think things out. I saw Karaoke on the screen, then I suddenly remembered how I get my ideas. For example, the prediction of the separation. "Oh this is it!"...something like that (she laughs).

 

"Everyday life required fashion"

When an ordinary girl wakes up, she then plans out her day and she'll decide what color and type of clothes she'll wear by her mood and the weather. Nothing special about that. It's just part of a girl's life. Thinking about fashion is a part of a girl's everyday life. And, not wearing the same thing yesterday and today... or she may change her clothes depending on where she's going. That's the usual way it's done. So our theme is a girl's life and love. So changing fashions is normal and natural. By seasons or by fads. How girls change what they where has a lot to do with TPO (Time, Place, or Occassion).

 

"Expressing a girls feelings slowly and carefully."

I pay a lot of attention to the senario. The original work appears in a magazine monthy (Ribon magazine). So the TV animation which comes on weekly can easily catch up with the original work. When prolonging the story was decided, we need some original ideas. But then, we didn't want the story too different from the original work. And I wanted to express a girl's feelings about love taking particular care to express slowly and carefully.

Because it's a shoujo manga, I tried to express the unstableness of a girl's feelings so that it would have a reality to it. For example: When a girl is told that two guys love her, and if both of them are cool, then she might be attracted to both guys because they both have a different charms. Isn't that true in your life? But I don't think it's a wrong to feel that way. When we thinking over the senario, we kept in mind those kinds of realities. In that way, the senario is very important to expressing a love series. That's why we can call Matsui Aya (wrote most of the Marmalade Boy scripts - see the credits sections if interested in which ones) is anime world's Mukaida Kuniko (She a very famous book writer; AND script writing for live action TV shows).

 

"I have devoted my director's life to kissing scenes."

If there's only one kiss scene in a entire story, then make it spectacular. But in this show so many couple kiss in so many places so if every couple kissed in the same way, it would be boring. I request the Series Director, Yabe, and assistant directors to think about think out the kiss scenes careful and devote a lot of attention to them. (She laughs) Because shoujo manga, not just Marmalade Boy, is about kissing, confessing scene, or getting dumps, anything with strong impact is focused on with larger pictures. For example, one page can be on a kissing scene. Those scenes are the ones most liked by readers. Shoujo manga is for expressing those types of scenes. That's that we devoted ourselves to those scenes. When I see the storyboard and if I can't understand the impact of the shoujo manga story, I ask that it be changed.

 

"I town you can't know the nationality and era."

The setting of Mamalade Boy is...where it's located, which town it is

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The 1999 MB Addition INDEX

The Original Marmalade Boy Guide

 

karen.duffy@bbs.chemek.cc.or.us